Brown Sugar (The Rolling Stones song)
B-side “Bitch”/”Let It Rock” (UK)
Released 16 April 1971
Format 7-inch single
Recorded 2–4 December 1969
Studio Muscle Shoals Sound, Sheffield, Alabama
Genre
Hard rock rock and roll blues rock
Length 3:50
Label Rolling Stones Records
Songwriter(s) Jagger/Richards
Producer(s) Jimmy Miller
“Brown Sugar” is a song by the Rolling Stones. It is the opening track and lead single from their album Sticky Fingers (1971). Rolling Stone magazine ranked it number 495 on its list of the 500 Greatest Songs of All Time and at number five on their list of the 100 Greatest Guitar Songs of All Time.
Though credited, like most of their compositions, to the singer/guitarist pair of Mick Jagger and Keith Richards, the song was primarily the work of Jagger, who wrote it sometime during the filming of Ned Kelly in 1969. Originally recorded over a three-day period at Muscle Shoals Sound Studio in Sheffield, Alabama, from 2 to 4 December 1969, the song was not released until over a year later due to legal wranglings with the band’s former label, though at the request of guitarist Mick Taylor, they debuted the number live during the infamous concert at Altamont on 6 December. The song was written by Jagger with Marsha Hunt in mind; Hunt was Jagger’s secret girlfriend and mother of his first child Karis. It is also claimed it was written with Claudia Lennear in mind. Lennear made this claim on BBC’s Radio 4 (25 February 2014, Today), saying that it was written with her in mind because at the time when it was written, Mick Jagger used to hang around with her.
In the liner notes to the compilation album Jump Back (1993), Jagger says, “The lyric was all to do with the dual combination of drugs and girls. This song was a very instant thing, a definite high point.” The song is in compound AABA form.
In the Rolling Stone interview (14 December 1995, RS 723) with Jagger, he spoke at length about the song, its inspiration and success — including claiming credit for writing the lyrics. He attributed the success of the song to a “good groove”. After noting that the lyrics could mean so many lewd subjects, he again noted that the combination of those subjects, the lyrical ambiguity was partially why the song was considered successful. He noted, “That makes it… the whole mess thrown in. God knows what I’m on about on that song. It’s such a mishmash. All the nasty subjects in one go… I never would write that song now.” When Jann Wenner asked him why, Jagger replied, “I would probably censor myself. I’d think, ‘Oh God, I can’t. I’ve got to stop. I can’t just write raw like that.'”
The lyrical subject matter has often been a point of interest and controversy. Described by rock critic Robert Christgau as “a rocker so compelling that it discourages exegesis”, “Brown Sugar”‘s popularity indeed often overshadowed its scandalous lyrics, which were essentially a pastiche of a number of taboo subjects, including slavery, rape, interracial sex, cunnilingus, sadomasochism, lost virginity and heroin.
An alternative version was recorded on 18 December 1970, at Olympic Studios in London, after (or during) a birthday party for Richards. It features appearances by Al Kooper on piano, and Eric Clapton on slide guitar. Richards considered releasing this version on Sticky Fingers, mostly for its more spontaneous atmosphere, but decided on the original. The alternative version, which had previously been available only on bootleg recordings, was released in June 2015 on the Deluxe and Super Deluxe editions of the reissued Sticky Fingers album.
To promote the song, they performed on Top of the Pops with the performance taped sometime around late March 1971, and being shown on 15 April and 6 May. They also performed on the album slot that was part of the show in 1971, and performed “Wild Horses” and “Bitch”, which was shown on 22 April 1971; due to BBC practices at the time, the performances were wiped and all that remains is “Brown Sugar”.
“Brown Sugar” was eventually released in May 1971 as the first single from the album, becoming a number one hit in both the United States and Canada and a number two hit in both the United Kingdom and Ireland, and has since become a classic rock radio staple. While the US single featured only “Bitch” as the B-side, the British single featured that track plus a live rendition of Chuck Berry’s “Let It Rock”, recorded at the University of Leeds during the 1971 tour of the United Kingdom. In the United States, Billboard ranked it as the number 16 song for 1971.
In the United Kingdom, the single was originally issued in mono using a now-rarely heard bespoke mono mix. This mono mix has never been used on any compilation.
Little Richard covered the song while he was signed to Reprise Records.
The song was performed routinely during the Stones’ 1970 European Tour, occupying a prominent spot near the end of the set list even though audiences were unfamiliar with it. It eventually opened the famed 1972 American Tour shows and has been a Stones concert stalwart since.
When the Stones perform “Brown Sugar” live, Jagger often changes the lyrics from “Just like a young girl should” to “Just like a young man should.” The line “Hear him whip the women just around midnight” is often changed to the less offensive “You shoulda heard him just around midnight.” This is evident on their live albums Love You Live, Flashpoint, Live Licks, Shine a Light,Totally Stripped, and Voodoo Lounge Uncut. This change also occurs on the version recorded at Richards’s birthday party.
The song is also the first single released on Rolling Stones Records (catalogue number RS-19100) and is one of the two Stones songs (along with “Wild Horses”) licensed to both the band and former manager Allen Klein (a result of various business disagreements) resulting in its inclusion on the compilation album Hot Rocks 1964–1971. “Brown Sugar” is also included on the most significant latter-day Rolling Stones compilations, Jump Back, Forty Licks and GRRR!.
Personnel
The Rolling Stones
Mick Jagger – vocals, percussion
Keith Richards – electric guitar, acoustic guitar, backing vocals
Mick Taylor – electric guitar
Bill Wyman – bass guitar
Charlie Watts – drums
Additional personnel
Ian Stewart – piano
Bobby Keys – tenor saxophone
From Wikipedia, the free encyclopedia