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IAN WHITCOMB

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BIOGRAPHICAL DETAILS

Full Name: Ian Timothy Whitcomb

Description: Singer, songwriter, author, record producer, and actor.

Known For: Titanic: Music As Heard On The Fateful Voyage (From The Film) 1998

Instruments: Voice, Ukulele

Music Styles: Easy Listening

Location: United Kingdom

Date Born: 10th July 1941
Location Born: Woking, United Kingdom

CONTACT DETAILS
Web Site: Ian Whitcomb’s website

Other Links: See below:

YOUTUBE VIDEO

BIOGRAPHICAL PROFILE

Ian Whitcomb

An English an entertainer, singer, songwriter, author, record producer, and actor.

He accompanies his singing by playing the ukulele and, through his records, concerts, and movie work, has helped to stimulate the current revival of interest in the instrument.

He has written several books on popular music, beginning with After the Ball, published by Penguin Books (Britain) and Simon & Schuster (United States) in 1972. He accompanies his singing by playing the ukulele and, through his records, concerts, and film work, has helped to stimulate the current revival of interest in the instrument.

His recreation of the music played aboard the RMS Titanic in the film of that name won a Grammy Award in 1998 for package design and a nomination for Whitcomb’s liner notes (Titanic: Music as Heard on the Fateful Voyage).

Whitcomb’s father, Pat, worked for his father’s film company British Screen Classics in the 1920s, eventually co-starring in Mr. Nobody (released by Fox in 1929). His father was a schooled pianist and encouraged Whitcomb to play. Ian’s younger brother, Robin, accompanied him on drums in their first bands, notably The Ragtime Suwanee Six (1960–62) whose manager was Denny Cordell, later to produce records by Procol Harum and Joe Cocker. Robin went on to play tambourine on Sonny & Cher’s hit “I Got You Babe” (1965).

Growing up, Whitcomb’s chief musical inspirations were Phil Harris, Johnnie Ray, Guy Mitchell, Elvis Presley, and George Formby. He was sent away to boarding school in 1949 (Newlands, Seaford, Sussex) at age 8 and there he soon formed a tissue paper-and-comb band to entertain staff and boys with current hits such as “Riders in the Sky”.

Main career

At Bryanston, a public school in Dorset, England, Whitcomb started a skiffle group in 1957 and then a rock and roll band in 1959. In the early 1960s, while studying history at Trinity College, Dublin, he became a founding member of Dublin’s first rhythm and blues band, Bluesville. Their second record release, “This Sporting Life”, charted in the United States in 1965. Whitcomb’s next single, “You Turn Me On” reached Billboard’s number 8 spot in July 1965. During his summer vacation in 1965, Whitcomb went to America to appear on such television programs as Shindig, Hollywood A Go-Go and American Bandstand. Whitcomb played the Hollywood Bowl with The Beach Boys in 1965 and then toured with The Rolling Stones, The Kinks, and Sam the Sham and the Pharaohs.

“N-Nervous!” Whitcomb’s next release, was recorded in Hollywood and reached Billboard’s Top 50. He returned to Dublin for his history finals and received a B.A. degree. In 1966 he turned to early popular song: his version of a 1916 comedy number, “Where Did Robinson Crusoe Go with Friday on Saturday Night?” was a West Coast hit, reviving the ukulele before the emergence of Tiny Tim.

After making four albums for Tower Records and producing Mae West on her album called ‘Great Balls of Fire for MGM Records in 1972, Whitcomb returned to the UK where he began his writing career with After the Ball. He later wrote Tin Pan Alley, A Pictorial History (1919–1939) and a novel, Lotusland: A Story of Southern California.

Returning to Hollywood, Whitcomb starred in and wrote L.A.–My Home Town (BBC TV; 1976) and Tin Pan Alley (PBS; 1974). He also provided the music for a documentary film, Bugs Bunny: Superstar (UA), which was narrated by Orson Welles. For Play-Rite Music he cut 18 piano rolls that were included in an album, Pianomelt. His other albums reflected his research into the genres of ragtime, Tin Pan Alley, vaudeville, and music hall. These, beginning with Under the Ragtime Moon (1972), were released on several record labels including Warner Bros. Records, United Artists, and Decca Records. During that time he also wrote and produced singles for Warner Bros.’ country division, most notably “Hands”, a massage parlour story, and “A Friend of a Friend of Mine”.

In the 1980s Whitcomb published Rock Odyssey: A Chronicle of the Sixties: Ian Whitcomb, a memoir of the 1960s and described by The New York Times as the best personal account of this period. He also published Ragtime America (Limelight Editions, 1988), followed by a memoir of life as a British expatriate living in Los Angeles, Resident Alien (Century, 1990). He produced a British documentary on black music, Legends of Rhythm and Blues (part of the series Repercussions, made by Third Eye Productions for Channel Four in 1984). During this time he also hosted a radio show in Los Angeles for fifteen years, taking the program from KROQ-FM to KCRW and finally to KPPC-FM. His songs can he heard in the films Bloody Movie (1987), Cold Sassy Tree (1989), Encino Man (1992), Grass (1999), Man of the Century (1999), Stanley’s Gig (2000), After the Storm (2001), The Cat’s Meow (2002), Last Call (2002), Sleep Easy, Hutch Rimes (2002), Lonesome Jim (2005), and Fido (2006).

Whitcomb performs at music festivals throughout America. He continues to write, and he makes frequent guest appearances. He is a regular performer at Cantalini’s Restaurant in Playa del Rey, California.

Since 7 November 2007, Whitcomb has had an internet radio program on Wednesday evenings from 8:00 p.m. until 10:00 p.m.(PST) at LuxuriaMusic.com. He signed with Premiere Radio Networks in September 2010 to launch The Ian Whitcomb Show on XM satellite radio, Channel 24.

Ian Whitcomb was named as a BEST OF L.A. in 2008 by Los Angeles magazine.

In 2009 Whitcomb wrote and, with his Bungalow Boys, performed original music for the West Coast Premiere of The Jazz Age, a play by Allan Knee, at the Blank Theater Company’s 2nd Stage Theater in Los Angeles. For his work on The Jazz Age Whitcomb was nominated for an L.A. Theater Award.

Whitcomb lives in Southern California with his wife, Regina, their cat, Simon, and dog, Rollo.

Singles.

1964 – “Soho” / “Boney Moronie” (Jerden 735)
1965 “This Sporting Life” / “Fizz” (Jerden 747)
1965 “This Sporting Life” (Billboard #100) / “Fizz” (Tower 120)
1965 “You Turn Me On (Turn On Song)” (Billboard #8) / “Poor But Honest” (Tower 134)
1965 “N-E-R-V-O-U-S!” (Billboard #59) / “The End” (Tower 155)
1965 “18 Whitcomb Street” / “Fizz” (Tower 170)
1965 “No Tears for Johnny” / “Be My Baby” (Tower 189)
1965 “Good Hard Rock” / “High Blood Pressure” (Tower 192)
1965 “Your Baby Has Gone Down the Plug-Hole” / “Lover’s Prayer” (Tower 212)
1965 “Don’t Think Twice It’s Alright” / “As Tears Go By” (Jerden 788)
1965 “Louie Louie” / “Walk Right In” (Tower 216; released as “Sir Arthur”)
1966 “You Won’t See Me” / “Please Don’t Leave Me on the Shelf” (Tower 251)
1966 “Where Did Robinson Crusoe Go With Friday On Saturday Night” (Billboard #101) / “Poor Little Bird” (Tower 274)
1966 “You Really Bent Me Out Of Shape” / “Rolling Home With Georgeanne” (Tower 336)
1967 “Sally Sails The Sky” / “Groovy Day” (Tower 385)
1967 “Lucky Jim” / “I’ve Been Ill” (Stateside/EMI SS2014)
1973 “Yaaka Hula Hickey Dula” / “They Go Wild, Simply Wild over Me” (United Artists XW 162-W)
1976 “Somewhere In Virginia in the Rain” / “Pancho” (Warner Brothers 8180)
1977 “You Do Something To Me” / “I’m a Hooray With a Cane” (Warner Brothers K17018)

Albums.

1965 You Turn Me On (Billboard #125—Tower T (Mono)/ST (Stereo) 5004)
1966 Ian Whitcomb’s Mod, Mod Music Hall (Tower T/ST 5042)
1967 Yellow Underground (Tower T/ST 5071)
1968 Sock Me Some Rock (Tower SDT 5100)
1970 On the Pier (World Record Club/EMI ST 1010)
1972 Under the Ragtime Moon (United Artists UAS 29403)
1973 You Turn Me On (Ember Records NR 5065)
1974 Hip Hooray for Neville Chamberlain! (Argo/Decca 2DA 162)
1976 Crooner Tunes (First American 7704)
1976 Treasures of Tin Pan Alley (Audiophile AP 115)
1977 Ian Whitcomb’s Red Hot Blue Heaven (Warner Bros. K56347)
1979 Ian Whitcomb: The Rock & Roll Years (First American FA 7729)
1980 At The Ragtime Ball (Audiophile AP 147)
1980 Instrumentals (First American FA 7751)
1980 Pianomelt (Sierra Briar SRAS 8708)
1981 In Hollywood! (First American FA 7789)
1982 Don’t Say Goodbye, Miss Ragtime (with Dick Zimmerman) (Stomp Off SOS 1017)
1983 My Wife is Dancing Mad (with Dick Zimmerman) (Stomp Off SOS 1049)
1983 The Boogie Woogie Jungle Snake (ITW Records 01)
1984 Rag Odyssey (Meteor Records MTM-006)
1984 On The Street of Dreams (ITW Records 03)
1986 The Best of Ian Whitcomb (Rhino Records RNLP 127)
1986 Oceans of Love (ITW Records 04)
1987 Steppin’ Out (Audiophile AP 225)
1987 Ian Whitcomb’s Ragtime America (Premier PMP 1017)
1990 All the Hits Plus More (Prestige/BBC PRST

Compact discs.

1988 Happy Days Are Here Again (Audiophile ACD 242)
1992 Ian Whitcomb’ Ragtime America (ITW 009)
1995 Lotusland—A New Kind of Old-Fashioned Musical Comedy (Audiophile ACD 283)
1996 Let the Rest of the World Go By (Audiophile ACD 267)
1997 The Golden Age of Lounge (Varèse Sarabande VSD 5821)
1997 Ian Whitcomb: You Turn Me On!/Mod Mod Music Hall (Sundazed SC 11044)
1997 Titanic: Music as Heard on the Fateful Voyage (Rhino R2 72821)
1998 Spread a Little Happiness (Audiophile ACD 249)
1998 Titanic Tunes—A Sing-A-Long in Steerage (The Musical Murrays Conducted by Ian Whitcomb) (Varèse Sarabande 5965)
1998 Songs from the Titanic Era (The New White Star Orchestra) (Varèse Sarabande VSF 5966)
1999 Comedy Songs (Audiophile ACD 163)
2001 Sentimentally Yours (Woodpecker Records)
2002 Dance Hall Days (ITW Records)
2003 Under the Ragtime Moon (Vivid Sound B00008WD18)
2005 Old Chestnuts & Rare Treats (ITW Records)
2005 Words & Music (ITW Records)
2006 Lone Pine Blues (Vivid Sound NACD3229; Japanese import only)

Links:

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